This cast-iron marvel of construction and egeneering was to Berlin what the Eifel tower is to Paris and Brooklyn bridge to New York .
Berlin.
The iconic cast-iron Hochbahn crossing the Anhalter Bahn over the Landwehrkanal. In the background the track is cutting through the block of buildings holding the Hochbahn powerhouse. The signature sadly near to illegible: it could be reading Otto Antoine, aka “The painter of Berlin”. (Danke Thomas !).
After WW-II the damaged Hochbahn was repaired, the Anhalter railway dismantled, the iconic Hochbahn bridge was replaced in 1990 by a functional design structure.
gerbrandcaspers@icloud.com
Amberg, Hugo (Hamburg 11-10-1872 – 1943 Osnabrück)
Landscape painter, etcher and printmaker, mainly self-taught. Since 1919 teacher at the “Kunstgewerbeschule” in Hamburg. Married to painter and printmaker Ilse Koch (02-07-1869 - 1934), daughter of painter and graphic artist in Hamburg Rudolf Koch (1835-1885) and sister of Walter Koch (1875-1915), Hamburg painter and later poster designer in Switzerland. Amberg exhibited with the “Kunstverein in Hamburg” in 1910-1911.
Represented in the 1924 “Wohlgemuth & LissnerGrafikkatalog” with 4 woodblocks (two shown): “Heidehof”, “Este bei Cranz”, “Hühner” and “Gänse”. Priced 15, 20 and 25 Reichsmark.
Quote : “Da mir für farbige Holzschnitte beim Druck die Anwendung von Ölfarbem nicht gefiel, Aquarellfarben aber nicht genügende Kraft entwickelten, bildete ich mir nach langen Versuchen ein eigenes Druckverfahren mit tempera-artigen Farben heraus, das es möglisch macht, jedes Blatt in allen Farben gleich hintereinander fertig zu drucken, so liegt der Erfolg fest in meiner Hand”.
Hugo Amberg: Dresslers KHB. 1921 & 1930: Hamburg, Sechslingsporte 11. Ilse is not mentioned.
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