Aronsohn, Hella

Hella Aronsohn (1898 - 1990)

HAr

Although this great expressionist etching was offered (and sadly is not represented in this collection) in America it was obviously created before Hella Aronsohn fled Nazi Germany. It shows a Schleswig-Holstein, or Baltic, coastal farmhouse with a row of wind tortured trees so typical for these regions, into the late evening (or early morning) light with a sun reminding of the Websites home page image and indirectly to Edvard Munch’ famous painting.

Hopefully sooner or later another copy will find its way to me……..

A - Z

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Read more about the artists, their lives, families and careers in the new and extensive Artist Lexicon: “DAS HAUS DER FRAU, the short biographies” accompanying this exhibition.

Hundreds of new artist biographies, a private publication in 2 Volumes written conveniently in English.

Visit the Shop for more info.

Arohns(s)ohn, Helene (Hella) (1898 - 1990 America)

Jewish illustrator, author and graphic artist (etcher), not known as printmaker.

During her career she went by her given name of Hella Aronso(h)n but more often, Hella Arensen, likely to mask her Jewishness. Known for her drawings and etchings of cityscapes and landscapes in and around Berlin. She also produced portraits of artists whom she visited in their studios, including: Karl Hofer, Max Pechstein, Heinrich Zille, Elisabeth Wolff, and others.

Her portrait was painted by Berlin secessionist and expressionist painter Willy Jaeckel (Breslau 1888 - 1944 Berlin) who’s studio was destroyed by allied bombing and was killed in another bombing raid on Berlin.

In 1924 she illustrated (Arensen) a volume of Dostoevsky's tales published in Berlin. In 1929 she exhibited drawings at “Galerie Wertheim”.

In1934 (sept. 29^th) she wrote an article: “Heim elternloser Kinder, Besuch im Reichenheimschen Waisenhaus” (visit to Reichenheim orphanage: in “Gemeindeblatt der Jüdischen Gemeinde zu Berlin”, volume 24 no. 36.

She fled persecution in Nazi Germany in 1935 and settled in New York. There in 1936, she illustrated a Zionist calendar, later she illustrated "Holiday Night Dreams: Stories and Fantasies from the Jewish Lore of Yore" by Arnold Posy (1893-1986).

While still living in Germany, she supported herself as a newspaper illustrator and produced drawings for: “Berliner Allgemeine Zeitung" (1925, 1927-32), “Berliner Morgen-post” ( 1924-33), “Berliner Zeitung am Mittag” (1925-29), “Brummbär” (1928, 1929), “Neue Berliner Zeitung” (1929), “Tempo” (1929-32), “Die Voss” (1924) and “Zeitbilder” (1924).

Exhibited Berlin 1925 “Juryfreie Kunstschau” (page 11) with two works “Aus dem Suden” and “Hinter den Zirkus” (medium unknown).

Works collected by Inge and Erich Fitzbauer (b. 1927), who was a graphic artist involved in the well known Insel-Bücherei

Dressers KHB. 1930 Berlin-Wilmersdorf, Uhlandstrasse 79a

Osborn Handbuch des Kunstmarktes 1926: Berlin -W., idem.