2 Original red pencil drawings
1968 (25 x 25 cm.)
One of the Netherlands best known landscape and portrait etchers and painters of the classic female nude. He also acted as conservator and director of the prestigious Rembrandthuis in Leiden. During his directorship he handprinted a limited edition from several of Rembrandt’s original etching plates.
In 2011 the Rembrandthuis published a booklet treating the artists legacy of his painting of the female nude.
Creutz, Sophus (baptised Frederiksberg, Copenhagen 11-08-1872 - ?)
Painter, photographer and printmaker. Son of Paul Christian Creutz (1835-1892) and Sophie Marie Mortensen (1836 - ?)*.
He had a brother Fritz Ludwig Creutz and a sister Pouline Louise Creutz (1867-1948). His grandfather Friedrich Ludwig Creutz (b. 1789 – after 1845 census) married to Pauline Marie Jacobson, retired as a troop captain in Halderslev Denmark and came as a military from Hannover to Denmark with troop captain (“Rittmeister”) Johann Christian von Düring (1792-1862).
* His mother Sophie Marie Mortenson in genealogical internet databases is mentioned to have died in 1868, which seems controversial but is not impossible with Sophus’ date of baptism.
Mainly known from paintings showing the “Norddeutsche Landschaft” titled: "Finkenwärder Fischerboote" (1938), "Sonniger Tag am Brodener Ufer" (1941), "Bildnis Detlev von Liliencrons". Known by less then a handful of colour woodblock prints. He was befriended with poets Richard Dehmel (1863-1920) and Detlev von Liliencron (1844-1909) who’s portrait he painted and his portrait photograph was used for Liliencron’s 1909 posthumously published book “Letzte Ernte”.
A monochrome print found in America and now in this collection thanks to the help of Tom Clemens in Boston and is titled: “Aus einer nordfranzösischen Kleinstadt” (from a North-French Small city) Vervins 1917. It is probable Creutz was stationed in Vervins in WW-I as a soldier.
The medieval city of Vervins was captured August 30 1918, shortly after WW-I started and during the Great War stayed in German hands until it was liberated Nov.11 1918.
Exhibited in the “Hamburger Kunstverein” and in the Hamborg “Kunsthalle”: 1933, 1938, 1839, 1941.
Literature: Der Neue Rump – “Lexikon der bildenden Künstler Hamburgs, Altonas und der näheren Umgebung”, Wachholtz Verlag, Neumünster 2005, p.80.
He is not mentioned in any other artist lexicon or in Dresslers KHB.
* M. Creutz, “Königliche Hofphotopgraph”. Hamburg, Altonaerstrasse 2, Ecke Schulterblatt (1898).
Dear print lover, passing-by visitor and reader:
While this new gallery-museum site is under construction (being build-up, stocked and arranged) priority must be given to first add all the represented artists in the index with works from the collection and if possible with the examples from the archives.
During construction the site is open to visitors, questions, feedback and suggestions.
Read more about the artists, their lives, families and careers in the new and extensive Artist Lexicon: “DAS HAUS DER FRAU, the short biographies” accompanying this exhibition.
Hundreds of new artist biographies, a private publication in 2 Volumes written conveniently in English.
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