“Papageien”
Not an expert on tropical birds, it appears to me these prints “pair” as two closely related but different species of Macaw (Ara’s). I think Fritz Lang’s representations are among the very finest in the Parrots-on-Woodblock Prints genre. They are large, impressive, colourful and highly decorative Jugendstil icons. Although many more parrot prints by Lang exist it is very special to actually have assembled a “set” of these 4 iconic prints together.
The huge 100 x 44 cm. (!) centre print with yellow background is on the collection wishlist.
As an artist and illustrator Lang is known for his many illustrated books, his flower, botanical, animal and bird prints. Within the bird prints his parrots take a special place. Trying to keep this special collection (prints created by German women printmakers born 1850-1900) within its original goals (one simply cannot collect all that is worthwhile collecting without going mad and/or bankrupt) the rare “Markt” print has travelled to a befriend print collection in Boston USA.
Lang’s rice finches is with Friedrich Lissmann’s dead kingfisher one of my most cherished prints (created by a male printmaker).
Fritz Lang Parrot prints
Fritz Lang created many parrot “prints”. They do not show up very often in auctions, but are highly sought after by collectors. They are in a league of their own.
Archive:
As with most well known and once loved and immensely popular printmaking artists: a catalogue raisonée or “Werkverzeichnis” to my knowledge has never been created. Besides his bird and animal prints he created dozens of the finest botanical wood cuts. In due time they (the pictures from my archive) will be presented here too.
gerbrandcaspers@icloud.com
Dear print lover, passing-by visitor and reader:
While this new gallery-museum site is under construction (being build-up, stocked and arranged) priority must be given to first add all the represented artists in the index with works from the collection and if possible with the examples from the archives.
During construction the site is open to visitors, questions, feedback and suggestions.
Gerrie
gerbrandcaspers@icloud.com
Julius Edmund Robert Nitsche
(Breslau 16-02-1882 - 1965 Munich)
Painter, illustrator, arts & crafts artist, interior- book cover and typographic designer, architect (interior design), graphic artist and printmaker. Worked for the illustrious “Jugend” Magazine. Married to Eva N.N.
Known to have worked in Breslau, Munich and Leipzig. Created several type-face (“Zierbuchstaben“) like “Unger Fraktur Initalen” for J. Klinkhardt 1910. Created a colour woodblock book plate (ex libris) for painter and paint manufacturer Fritz Behrendt* (1863-1946).
Known from a poster (“Plakat” 68 x 85 cm) for a 1911 Munich “Grosse Algemeine Hundeausstellung” with a barsoi (Russian greyhound). Also known from a bookplate for “Eva und Julius Nitsche”, also with a barsoi.
Works represented in Offenbach Klingspor Museum (spec. in book design and typography).
Dresslers KHB 1930: Munich, Türkenstrasse 97. Member BDG. (board member), RvbK.,DWB., DGfchrK.,KB., “die Unabhängigen”.
Possibly related to: Nitsche, Hinrich (Breslau 14-02-1845 - 08-11-1902 Tharandt), zoologist in Breslau and son-in-law to geographer Oscar Ferdinand Peschel (Dresden 1826 - 1875 Leipzig).
* Behrendt, Friedrich (Fritz) (Memel 31-10-1863 - 13-02-1946 Fuerstenfeldbruck)
Painter and paint manufacturer. (Also Behrendt). Studied in Königsberg academy and in Karlsruhe academy under landscape painter and illustrator Hermann Baisch (1846-1894). Member of the Munich Secession 1903.
Friend of fauvist painter Oskar Moll* and said to have together developed “lichtbeständige” Behrendt-Farbe: a brand of light stable colour pigments (artist oil/based paint) known as “Berendt’schen Farben”. For the manufacturing of their products he owned a “Bitumen-Fabrik” in Grafrath near Fuertstenfeldbruck referring to the oil based paints he created.
Married to textile artist Olga Schierlitz (Hamburg 1867-1958) the daughter of a Hamburg merchant.They had two daughters Hedda and Irmgard Mastaglio-Behrendt (Munich 23-01-1905 - 1990) studied in Munich under Angelo Jank (1868-1940), Karl Caspar (Friedrichshafen 1879 - 1956) and in the Munich painting school of Moritz Heymann (1870-1937). Fleeing from Silesia to Schleswig-Holstein at the ending of WW-II she lost all her work.
* Moll, Oskar (Brzeg/Brieg, Prussia, now Poland 21-07-1875 - 19-08-1947 Berlin)
Fauvist painter who studied under Corinth, Leistikow. In Paris became acquainted in the Café de Dome circles meeting Matisse and Picasso. He started, with his wife Margarethe and their friend painter Hans Purrmann (1880-1966) the short lived “Académie Matisse”. Purrmann travelled to Paris in 1906 becoming a student and personal friend of Henri Matisse ((1869-1954). Appointed as professor in Breslau Academy succeeding August Endell (1871-1925). His work was declared “entarted”, displayed and confiscated by the Nazis after which they led a secluded life in Berlin. Their art collection consisting of numerous paintings, also by Matisse, Léger, Bracque and Picasso was destroyed in a 1943 allied bombing raid on Berlin. Their home destroyed they tried to find refuge in his home town but were forced to return to Berlin by the advancing Red-Army.
He was married to painter author and sculptor Marg Moll, born as Margarethe Haeffner (Mühlhausen 1884 - 1979 Munich).